Nonduality: The Varieties of Expression




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THE NATURAL BLISS OF BEING

       

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After Awareness: The End of the Path




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Highlights Home Page | Receive the Nondual Highlights each day

#1230 - Thursday, October 17, 2002 - Edited by Jerry

_________________________________________________________________

Coffee at the Pitchfork - http://www.dondanestudio.com


Loading mercury with a pitchfork
your truck is almost full. The neighbors
take a certain pride in you. They
stand around watching.

--Richard Brautigan

___________________________________________________________________


MARK STRAND

A Piece of the Storm

For Sharon Horvath

From the shadow of domes in the city of domes,
A snowflake, a blizzard of one, weightless, entered your room
And made its way to the arm of the chair where you, looking up
From your book, saw it the moment it landed.
That's all There was to it. No more than a solemn waking
To brevity, to the lifting and falling away of attention, swiftly,
A time between times, a flowerless funeral. No more than that
Except for the feeling that this piece of the storm,
Which turned into nothing before your eyes, would come back,
That someone years hence, sitting as you are now, might say:
"It's time. The air is ready. The sky has an opening."

--------------------------------------

The Room

It is an old story, the way it happens
sometimes in winter, sometimes not.
The listener falls to sleep,
the doors to the closets of his unhappiness open

and into his room the misfortunes come --
death by daybreak, death by nightfall,
their wooden wings bruising the air,
their shadows the spilled milk the world cries over.

There is a need for surprise endings;
the green field where cows burn like newsprint,
where the farmer sits and stares,
where nothing, when it happens, is never terrible enough.

-------------------------------------------

The Remains

I empty myself of the names of others. I empty my pockets.
I empty my shoes and leave them beside the road.
At night I turn back the clocks;
I open the family album and look at myself as a boy.

What good does it do? The hours have done their job.
I say my own name. I say goodbye.
The words follow each other downwind.
I love my wife but send her away.

My parents rise out of their thrones
into the milky rooms of clouds. How can I sing?
Time tells me what I am. I change and I am the same.
I empty myself of my life and my life remains.

----------------------------------------------

Giving Myself Up

I give up my eyes which are glass eggs.
I give up my tongue.
I give up my mouth which is the constant dream of my tongue.
I give up my throat which is the sleeve of my voice.
I give up my heart which is a burning apple.
I give up my lungs which are trees that have never seen the moon.
I give up my smell which is that of a stone traveling through rain.
I give up my hands which are ten wishes.
I give up my arms which have wanted to leave me anyway.
I give up my legs which are lovers only at night.
I give up my buttocks which are the moons of childhood.
I give up my penis which whispers encouragement to my thighs.
I give up my clothes which are walls that blow in the wind
and I give up the ghost that lives in them.
I give up. I give up.
And you will have none of it because already I am beginning
again without anything.

__________________________________________________________________________


Derek Sheffield

The Farthest Place

Growing up, I thought
I could go there, I could follow
the trickling curve of river,
the invitation of thin forest,
study turnings of branches
above the burl-studded length
of the nearest trunk and know
direction, and someone

coming in from the kitchen
with popcorn would see
my shoulders disappear
into the canopy-shrouded dim,
leaves waving back
to their stillness.

This place used to hang
above the couch, the farthest
I could reach. Slumped
across the room, half-warmed
by the fire, I would look up,
over the talk of my family,
surprised at how the water
seemed only ankle-deep.

Propped now above our heads
in darkness filled with boxes,
clothes too small for anyone,
a lamp, and a row of glass jars,
used up things in the trail of living,
the few sifted strands of light
waver where they touch water.
Wind begins to breathe
in the leaves of the farthest place.

_____________________________________________________________________________

RICHARD BRAUTIGAN

A Short Study in Gone

When dreams wake
life ends.
Then dreams are gone.
Life is gone.

Tokyo
May 26, 1976


A Study in Roads

All the possibilities of life,
all roads led here.

I was never going anyplace else,
41 years of life:

Tacoma, Washington
Great Falls, Montana
Oaxaca, Mexico
London, England
Bee Caves, Texas
Victoria, British Columbia
Key West, Florida
San Francisco, California
Boulder, Colorado

all led here:

Having a drink by myself
in a bar in Tokyo before
lunch,
wishing there was somebody to talk
to.

Tokyo
May 28, 1976

Floating Chandeliers

Sand is crystal
like the soul.
The wind blows
it away.

Tokyo
May 28, 1976


Travelling Toward Osaka on the Freeway from Tokyo

I look out the car window
at 100 kilometers an hour
(62 miles)
and see a man peddling
a bicycle very carefully
down a narrow path between
rice paddies.
He’s gone in a few seconds.
I have only his memory now.
He has been changed into
a 100 kilometer-an-hour
memory ink rubbing.

Hamamatsu
June 7, 1976

AT THE CALIFORNIA INSTITUTE OF TECHNOLOGY

I don't care how God-damn smart
these guys are: I'm bored.

It's been raining like hell all day long
and there's nothing to do.

Written January 24, 1967
while poet-in-residence at
the California Institute of
Technology.

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Nonduality: The Varieties of Expression




HOME


SPONSORS


ONE, by Jerry Katz

Photography by Jerry Katz

Dr. Robert Puff

THE NATURAL BLISS OF BEING

       

Rupert Spira

DISSOLVED, Tarun Sardana

HIGH JUMP, Tarun Sardana


Greg Goode -
After Awareness: The End of the Path




Consider joining our Facebook discussion community, Nonduality Salon, going on 20 years of active participation. We were the first online discussion group dedicated to nonduality in a popular sense.