Nonduality: The Varieties of Expression


Starting February 1, 2018, Nonduality.com will operated by James Traverse.

James Traverse has over 40 years of experience in the art and science of yoga. He is a yoga educator and writer who communicates the direct approach to understanding your true nature. This experiential means, which is founded on a switchover from conceiving to purely perceiving, flowered principally out of Jamesí studies with his teacher, Jean Klein, who initiated him in the ways of Advaita Vedanta and Kashmiri Shaivism. His other influences include the works of J. Krishnamurti, David Bohm, Rumi, Adi Shankaracharya, Ramana Maharshi, Sri Nisargadatta Maharaj, Atmananda Krishnamenon and the yoga of B K S Iyengar, whose method he studied intensely for the first 15 years of his yoga journey.
James' website it BeingYoga.com
HOME


All 5000+ pages on Nonduality.com may be accessed here and here.

SPONSORS


ONE, by Jerry Katz

Photography by Jerry Katz

Dr. Robert Puff


       

Rupert Spira

DISSOLVED, Tarun Sardana

HIGH JUMP, Tarun Sardana







Click here to go to the next issue

Highlights Home Page | Receive the Nonduality Highlights each day

How to submit material to the Highlights

#4248 - Friday, May 13, 2011 - Editor: Jerry Katz

The Nonduality Highlights
-
http://groups.yahoo.com/group/NDhighlights



--------------------------------------------------------------------------------



Dustin LindenSmith contributed both entries in today's issue. Thanks, Dustin!



--------------------------------------------------------------------------------

cartoon from
http://xkcd.com/659/









--------------------------------------------------------------------------------



This short piece came from the issue of Lapham's Quarterly that I recently quoted from about economics. This piece comes from the Zhuangzi, which I've never heard of but which the editors state is one of the most influential books in the Taoist canon.

-Dustin LindenSmith


Skilled Labour

A butcher demonstrated dissecting an ox in the presence of Prince Wen Hui. With what his hands were touching, his shoulders were leaning, his feet were treading, his bent knees were pressing, and with an artful use of his knife, he made the sounds of dislocating joints and separating bones from muscles form rhythms and a succession of musical tones.

Prince Wen Hui said, "Ah! Excellent! How could your technique reach such perfection?"

The butcher laid down his knife and answered, "What I have wished is Tao, far more superior to technique. When I first dissected oxen, what I saw was nothing less than the whole ox. After three years, I no longer saw the whole ox. And now, I let my intuition, not my eyesight, lead the way, such that functions of the organs are accessories to initiatives of the mind. I proceed on what comes naturally, attack the hollow cavities between tendons and bones, and sink knife into joints, taking advantage of their natural structures, without interfering with the big and small blood vessels around small muscles and bones, let alone bigger bones.

"A good butcher changes his knife every year; he uses it to cut muscles. An ordinary butcher changes his knife every month; he uses it to cut bones. I have used the same knife for nineteen years to dissect several thousand oxen. It looks like new from the sharpening stone. Since the bone joints have empty space in between and the knife blade has no thickness, inserting what has no thickness into where it is hollow leaves plenty of room for maneuvering. Therefore, after nineteen years it still looks like new from the sharpening stone.

"Even so, every time I come to complex formations, I find it to be a tough job and call for extreme caution. I look at it with great attention and proceed with deliberate slowness. With a slight movement of the knife, the dissection is over, as swiftly as throwing mud to the ground. The ox doesn't even know it is dead!"

top of page